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Posted on 12.06.07 by hardrockchick @ 10:02 pm
With the recent release of Nirvana: Unplugged In New York Nirvana’s appearance on MTV’s Unplugged was met with skepticism. People had a hard time envisioning what Smells Like Teen Spirit would sound like. Apparently, so was Nirvana, because they didn’t play it. The only hit that they played was Come As You Are, and filled in the rest of their 14 song set with obscurities and covers. This model of setlist construction was an anomaly for the Unplugged series, as most artists stuck to their hits. However, they made it work. The obscure tracks, from a mixture of Bleach, Nevermind, and In Utero, were transformed into much more consumable sounds when made acoustic. Many of them were overshadowed by the monster hits that SLTS, Lithium, CAYA, and Heart Shaped Box were. The covers, Jesus Doesn’t Want Me For a Sunbeam, by The Vaselines, The Man Who Sold the World, by Bowie, Leadbelly’s Where Did You Sleep Last Night, and three Meat Puppets covers- Plateau, Oh Me, and Lake of Fire, demonstrated the eclectic influences that Nirvana drew from. Nirvana made these songs their own- so much so that the Meat Puppets- who performed with Cobain on these songs- have voiced their frustration with trying to reclaim the songs as their own. Metallica’s Bridge School performance began with I Just Want To Celebrate (Rare Earth), Please Don’t Judas Me (Nazareth), Veteran Of Psychic Wars (Blue Öyster Cult), Brothers In Arms (Dire Straits), followed by their own Disposable Heroes, All Within My Hands, The Unforgiven,, and Nothing Else Matters. Halfway into the second cover, the hardcore fans that had paid to see Metallica became disgruntled. The band seemed disjointed, and maybe even a litle rusty. Where Kurt’s “Am I going to do this by myself” comment was a jab in jest, Hetfield’s response to a fan’s yelling to play some Metallica- “Whatever you said, man- I agree”, seemed like a scene from Some Kind of Monster. There are several factors which separate the success of Nirvana Unplugged from the lukewarm Metallica Unplugged: - Nirvana Unplugged was elevated to legendary status when Kurt died 4 months after it aired. Metallica is coming out of a five year hiatus with their 9th album in 2008. Seeing a band unplugged is a special thing- a stripped down version of a song can reveal elements that would have otherwise remained concealed. When the unplugged band is metal, or punk, or some genre that is not a natural transition to acoustic, the construction of the set must be handled with great care. Nirvana’s MTV Unplugged set should serve as an example to be followed. Nirvana- Where Did You Sleep Last Night Nirvana- Plateau Metallica- I Just Want to Celebrate Metallica- Unforgiven Filed under: Rock Themes Comments: 2 Comments |
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Posted on 11.26.07 by hardrockchick @ 7:37 pm
I ran across this great little piece today on Goth music. Enjoy. Filed under: Rock Themes Comments: None |
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Posted on 11.25.07 by hardrockchick @ 7:28 pm
What’s a vanity label? The vanity label was a cog in the recording industry that reached its peak in the ’90s. Basically, it was a record label created by an artist, but falling under the umbrella of the parent record company of the artist. This would allow for an artist to sign and promote artists that they felt passionate about, thus ideally giving the vanity label artists a built in audience. Many of the vanity labels have met their demise with the recording industry shake up, were reabsorbed by their parent labels, or are still profitable. Sinatra, The Beach Boys, The Beatles, The Rolling Stones, and Led Zeppelin all had them, with Sinatra’s Reprise now being a major label and The Beatles Apple Records being the main ones still existing today. The Cure’s Fiction Records still exists without The Cure as the record label for Snow Patrol and the Yeah Yeah Yeahs. Madonna’s Maverick Records was dissolved after a lawsuit that ended up in Madonna being bought out, and it in essence becoming Warner Bros., but until then was the label for Alanis Morisette, Deftones, Michelle Branch, The Prodigy, and Candlebox. Quite a lineup. Of course, of most interest to me was Trent Reznor’s label, Nothing Records, which was used up until With Teeth’s release in 2005. The most famous thing besides NIN to come from Nothing was Marilyn Manson. Even after Reznor and Manson had their falling out, Manson’s records through 2004 were released on Nothing. Some of the vanity labels that are still alive and well are Jack Johnson’s Brushfire Records, Pete Wentz of Fall Out Boy has Decaydance (how emo…), and some of the Linkin Park guys have Machine Shop Records. Notice that the last two are some of the only mass market bands still in existence. Fortunately, the benefits that we received from vanity labels are somewhat migrating to indie labels, where the financial backing that the vanity labels had received is now replaced with virtual word of mouth driven by things like MySpace. Filed under: Rock Themes Comments: None |
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Posted on 11.13.07 by hardrockchick @ 11:30 pm
I’ve had Joy Division on the brain lately– more than normal. And either I live in a Matrix-like pod and am manufacturing my thoughts, or I’ve coincidentally heard a lot of ‘Love Will Tear Us Apart’ covers popping up. Some do it justice, some…not so much. Jose Gonzales Fall Out Boy Honeyroot (from the credits of Red Road) U2 and Arcade Fire The Swans New Order…gives me chills Shadowplay: Silversun Pickups Shadowplay: The Killers Filed under: Rock Themes Comments: None |
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Posted on 07.31.07 by hardrockchick @ 4:40 pm
AFI…..the band I should like but never much got into…has some members that have a passion for new wave. So, they’ve branched off and started their own noveau new wave band, blaqk audio. While at first Stiff Kittens sounds very catchy (and very Depeche Mode, it resonates in my head as the same overproduced manufactured music that I’ve billed AFI as. Bands these days must not be the fulfilling experience it once was…because a hell of a lot of band members keep side projects. While I’m all for more opportunities to see different artist’s work, it often leaves the fate of the original band hanging in limbo. Here are some examples: Tool/A Perfect Circle/Puscifer RATM/Audioslave (R.I.P.)/The Nightwatchman System of a Down/Scars on Broadway Gorillaz/Blur/The Good, the Bad, and The Queen Death Cab for Cutie/Postal Service Jane’s Addiction/Porno For Pyros/Satellite Party Old side projects: Filed under: Rock Themes Comments: 2 Comments |
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Posted on 05.17.07 by hardrockchick @ 10:24 am
I don’t know what you think, but things in this world are pretty heavy right now. Pointless wars, senseless leaders. Prices are high and morale is low. It eats away at my soul when I think about it. Apparently, it’s affecting a lot of bands right now, too. If depression had a color, it’d be black. Not reserved for goths anymore, black is popping up in the names of indie rock bands everywhere. Black reflects the sense of danger looming in the air, an effect of living in this culture of fear. Here’s a non-exhaustive list of the Black bands: inspiration: Current: I’m sure I left some out, but you can see what I mean. Black is the fashion. Filed under: Rock Themes Comments: None |
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Posted on 05.14.07 by hardrockchick @ 3:40 pm
I’m a researcher by trade. This means that I’m always trying to connect things together, to find meaning in the connection. I’ve always found it interesting when an idea pops up several times in a short period of time- for instance, there were two movies about the Zodiac killer recently released, and also two historic magician movies- The Prestige and The Illusionist. Are there just not enough ideas floating around or is there something going on in society that is causing this theme to pop up? This is the basis for this new column, rock themes. I’ve always wondered how this happened: in the 60’s, three major things popped up involving a rolling stone. The Rolling Stones names themselves after the Muddy Waters’ song ‘Rollin’ Stone’. ‘Like a Rolling Stone’ is supposedly about the alienation Dylan felt from moving away from his core Folk audience. And, well, Rolling Stone magazine named ‘Like a Rolling Stone’ as the best song of all time, and ‘Satisfaction’ by The Rolling Stones is number two. So, unable to find a definitive answer on where the name of the mag came from, I guessing it was fan-based. Back of the consciousness source: the proverb ‘a rolling stone gathers no moss’. It means that a person who never stays in one place long will not encounter responsibilities. Hey, that’s pretty rock ‘n roll to me. A different city every night, a different girl perhaps. Was this proverb the mantra of the sixties counterculture? Who knows. Maybe I should name my kid Rolling Stone- because what I do know is that that name is synonymous with success. Filed under: Rock Themes Comments: None |









