Nirvana Unplugged vs. Metallica Unplugged
Posted on 12.06.07 by hardrockchick @ 10:02 pm

With the recent release of Nirvana: Unplugged In New York, I thought about my recent live music experience with Metallica. This year’s Bridge School Benefit ended with a Metallica Unplugged performance, a set which did not succeed in the same way that Nirvana’s MTV Unplugged set did.

Nirvana’s appearance on MTV’s Unplugged was met with skepticism. People had a hard time envisioning what Smells Like Teen Spirit would sound like. Apparently, so was Nirvana, because they didn’t play it. The only hit that they played was Come As You Are, and filled in the rest of their 14 song set with obscurities and covers. This model of setlist construction was an anomaly for the Unplugged series, as most artists stuck to their hits. However, they made it work. The obscure tracks, from a mixture of Bleach, Nevermind, and In Utero, were transformed into much more consumable sounds when made acoustic. Many of them were overshadowed by the monster hits that SLTS, Lithium, CAYA, and Heart Shaped Box were. The covers, Jesus Doesn’t Want Me For a Sunbeam, by The Vaselines, The Man Who Sold the World, by Bowie, Leadbelly’s Where Did You Sleep Last Night, and three Meat Puppets covers- Plateau, Oh Me, and Lake of Fire, demonstrated the eclectic influences that Nirvana drew from. Nirvana made these songs their own- so much so that the Meat Puppets- who performed with Cobain on these songs- have voiced their frustration with trying to reclaim the songs as their own.

Metallica’s Bridge School performance began with I Just Want To Celebrate (Rare Earth), Please Don’t Judas Me (Nazareth), Veteran Of Psychic Wars (Blue Öyster Cult), Brothers In Arms (Dire Straits), followed by their own Disposable Heroes, All Within My Hands, The Unforgiven,, and Nothing Else Matters. Halfway into the second cover, the hardcore fans that had paid to see Metallica became disgruntled. The band seemed disjointed, and maybe even a litle rusty. Where Kurt’s “Am I going to do this by myself” comment was a jab in jest, Hetfield’s response to a fan’s yelling to play some Metallica- “Whatever you said, man- I agree”, seemed like a scene from Some Kind of Monster.

There are several factors which separate the success of Nirvana Unplugged from the lukewarm Metallica Unplugged:

- Nirvana Unplugged was elevated to legendary status when Kurt died 4 months after it aired. Metallica is coming out of a five year hiatus with their 9th album in 2008.
- Covers and acoustic tones were a new and different thing for Nirvana, while Metallica has a cover album (Garage, Inc.) and lighter songs like Nothing Else Matters.
- Kurt’s mode of presentation of his setlist eased the audience into his rationale. Metallica played each song with little intorduction- at one point saying ‘this is a harder one’, and then it still wasn’t a Metallica track.
- Nirvana’s cover songs were peppered into the setlist, while Metallica started with four covers before going into their own material.
- The acoustic environment highlighted Kurt’s singing voice, where many hadn’t ever realized it before in its normal presentation, while Hetfield’s voice incite comments such as ‘his voice is back’ (as in, it sounds as good as it did in the nineties).
-Nirvana’s selection of covers were either admired or obscure artists to their fanbase, while Metallica’s covers were more mainstream, odd fits (the previous night’s Bridge School performance featured Garbage’s I’m Only Happy When it Rains).

Seeing a band unplugged is a special thing- a stripped down version of a song can reveal elements that would have otherwise remained concealed. When the unplugged band is metal, or punk, or some genre that is not a natural transition to acoustic, the construction of the set must be handled with great care. Nirvana’s MTV Unplugged set should serve as an example to be followed.

Nirvana- Where Did You Sleep Last Night

Nirvana- Plateau

Metallica- I Just Want to Celebrate

Metallica- Unforgiven


Filed under: Rock Themes
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Goth music
Posted on 11.26.07 by hardrockchick @ 7:37 pm

I ran across this great little piece today on Goth music. Enjoy.


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the vanity label
Posted on 11.25.07 by hardrockchick @ 7:28 pm

What’s a vanity label? The vanity label was a cog in the recording industry that reached its peak in the ’90s. Basically, it was a record label created by an artist, but falling under the umbrella of the parent record company of the artist. This would allow for an artist to sign and promote artists that they felt passionate about, thus ideally giving the vanity label artists a built in audience. Many of the vanity labels have met their demise with the recording industry shake up, were reabsorbed by their parent labels, or are still profitable.

Sinatra, The Beach Boys, The Beatles, The Rolling Stones, and Led Zeppelin all had them, with Sinatra’s Reprise now being a major label and The Beatles Apple Records being the main ones still existing today.

The Cure’s Fiction Records still exists without The Cure as the record label for Snow Patrol and the Yeah Yeah Yeahs. Madonna’s Maverick Records was dissolved after a lawsuit that ended up in Madonna being bought out, and it in essence becoming Warner Bros., but until then was the label for Alanis Morisette, Deftones, Michelle Branch, The Prodigy, and Candlebox. Quite a lineup.

Of course, of most interest to me was Trent Reznor’s label, Nothing Records, which was used up until With Teeth’s release in 2005. The most famous thing besides NIN to come from Nothing was Marilyn Manson. Even after Reznor and Manson had their falling out, Manson’s records through 2004 were released on Nothing.

Some of the vanity labels that are still alive and well are Jack Johnson’s Brushfire Records, Pete Wentz of Fall Out Boy has Decaydance (how emo…), and some of the Linkin Park guys have Machine Shop Records. Notice that the last two are some of the only mass market bands still in existence.

Fortunately, the benefits that we received from vanity labels are somewhat migrating to indie labels, where the financial backing that the vanity labels had received is now replaced with virtual word of mouth driven by things like MySpace.

Here’s an old NYT article on the subject, from 1992.


Filed under: Rock Themes
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I think they’ve got it covered
Posted on 11.13.07 by hardrockchick @ 11:30 pm

I’ve had Joy Division on the brain lately– more than normal. And either I live in a Matrix-like pod and am manufacturing my thoughts, or I’ve coincidentally heard a lot of ‘Love Will Tear Us Apart’ covers popping up. Some do it justice, some…not so much.

Jose Gonzales

Fall Out Boy

Honeyroot (from the credits of Red Road)

U2 and Arcade Fire

The Swans

New Order…gives me chills

Shadowplay: Silversun Pickups

Shadowplay: The Killers


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blaqk audio/AFI…bands and side projects
Posted on 07.31.07 by hardrockchick @ 4:40 pm

AFI…..the band I should like but never much got into…has some members that have a passion for new wave. So, they’ve branched off and started their own noveau new wave band, blaqk audio. While at first Stiff Kittens sounds very catchy (and very Depeche Mode, it resonates in my head as the same overproduced manufactured music that I’ve billed AFI as.

Bands these days must not be the fulfilling experience it once was…because a hell of a lot of band members keep side projects. While I’m all for more opportunities to see different artist’s work, it often leaves the fate of the original band hanging in limbo. Here are some examples:

White Stripes/The Raconteurs

Tool/A Perfect Circle/Puscifer

RATM/Audioslave (R.I.P.)/The Nightwatchman

LCD Soundsystem/Hot Chip

System of a Down/Scars on Broadway

Gorillaz/Blur/The Good, the Bad, and The Queen

The Libertines/Babyshambles

Death Cab for Cutie/Postal Service

Jane’s Addiction/Porno For Pyros/Satellite Party

Old side projects:

Temple of the Dog: Pearl Jam/Soundgarden

Mad Season: Alice in Chains/Pearl Jam/Screaming Trees


Filed under: Rock Themes
Comments: 2 Comments

rock themes: black
Posted on 05.17.07 by hardrockchick @ 10:24 am

I don’t know what you think, but things in this world are pretty heavy right now. Pointless wars, senseless leaders. Prices are high and morale is low. It eats away at my soul when I think about it.

Apparently, it’s affecting a lot of bands right now, too. If depression had a color, it’d be black. Not reserved for goths anymore, black is popping up in the names of indie rock bands everywhere. Black reflects the sense of danger looming in the air, an effect of living in this culture of fear.

Here’s a non-exhaustive list of the Black bands:

inspiration:
Black Sabbath
Black Flag
The Black Crowes

Current:
The Black Angels
The Black Keys
Black Lips
Black Rebel Motorcycle Club
Black Eyes
The Black Heart Procession
blackmail
Black Wire
Black Label Society
Black Light Burns
Black Eyed Peas (haha)

I’m sure I left some out, but you can see what I mean. Black is the fashion.


Filed under: Rock Themes
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rock themes: rolling stone
Posted on 05.14.07 by hardrockchick @ 3:40 pm

I’m a researcher by trade. This means that I’m always trying to connect things together, to find meaning in the connection. I’ve always found it interesting when an idea pops up several times in a short period of time- for instance, there were two movies about the Zodiac killer recently released, and also two historic magician movies- The Prestige and The Illusionist. Are there just not enough ideas floating around or is there something going on in society that is causing this theme to pop up? This is the basis for this new column, rock themes.

I’ve always wondered how this happened: in the 60’s, three major things popped up involving a rolling stone.

The Rolling Stones, 1962

‘Like a Rolling Stone’ by Bob Dylan, 1965
Rolling Stone magazine, 1967

The Rolling Stones names themselves after the Muddy Waters’ song ‘Rollin’ Stone’. ‘Like a Rolling Stone’ is supposedly about the alienation Dylan felt from moving away from his core Folk audience. And, well, Rolling Stone magazine named ‘Like a Rolling Stone’ as the best song of all time, and ‘Satisfaction’ by The Rolling Stones is number two. So, unable to find a definitive answer on where the name of the mag came from, I guessing it was fan-based.

Back of the consciousness source: the proverb ‘a rolling stone gathers no moss’. It means that a person who never stays in one place long will not encounter responsibilities. Hey, that’s pretty rock ‘n roll to me. A different city every night, a different girl perhaps. Was this proverb the mantra of the sixties counterculture?

Who knows. Maybe I should name my kid Rolling Stone- because what I do know is that that name is synonymous with success.


Filed under: Rock Themes
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Jamie Harvey is the HardRockChick. Attending Over 50+ shows a year, the HardRockChick covers all things that rock hard in San Francisco, the Bay Area and beyond.
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